By Sharon Biggs Waller
Welcome to the realm of the fabulously prosperous in London, 1909, the place attire and homes are overwhelmingly opulent, social category skill every thing, and ladies are taught to be not anything greater than better halves and moms. Into this global comes seventeen-year-old Victoria Darling, who wishes purely to be an artist—a approximately most unlikely dream for a girl.
After Vicky poses nude for her illicit artwork classification, she is expelled from her French completing college. Shamed and scandalized, her mom and dad attempt to marry her off to the rich Edmund Carrick-Humphrey. yet Vicky has different issues on her brain: her clandestine software to the Royal university of artwork; her participation within the suffragette circulate; and her transforming into allure to a working-class boy who should be her muse—or could be the love of her existence. because the global of debutante balls, corsets, and excessive society responsibilities closes in round her, Vicky needs to work out: simply how a lot is she keen to sacrifice to pursue her desires?
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Extra resources for A Mad, Wicked Folly
Wise, Men at Arms, 5th ed. (Fort Worth, 1991), pp. 69-70. See also John Keegan, Face of Battle, p. 336; Martin van Creveld, Command in War (Cambridge, 1985); and Archer Jones, The Art of War in the Western World(Oxford, 1989), pp. 144-45. Page 5 It should be agreed that medieval military history includes many battles which were nothing but hasty, instinctive and confused confrontations in which captains played the role of simple leaders of men, incorporated almost anonymously into the first line of battle, and where the warriors' chief concern was to find an adversary worthy of rank or valour, without any preoccupation for their companions in arms.
The Black Death, which begins in Europe in 1347, changed the nature of warfare for the remainder of the Hundred Years War. Thus while there is surely some comparison between the battle of Poitiers, fought in 1356, and those battles which are discussed here, the difference in sizes of English and French forces at Poitiers and those at Crécy must be ascribed to the loss of population. The decision of 1302 as the beginning point of the study is perhaps more difficult to explain. In choosing to begin there, I have decided to follow Verbruggen's lead in recognizing the originality of the battle of Courtrai rather than moving the chronological time-frame back to the battles of Woeringen, Stirling Bridge, or Falkirk, despite some similarities between those battles and the ones which are included in this book.
28-29. F. Verbruggen, Slag, pp. 199-237; Joseph de Smet, 'Les effectifs Brugeois à la bataille de Courtrai en 1302,' Revue Beige de philologie et d'histoire 12 (1933), 631-36; and Ferdinand Lot, L'art militaire et les armées au moyen âge en Europe et dans le proche orient (Paris, 1946), I:263-64. 16 That the Flemings were mostly, if not all, infantry soldiers is remarked on by several of the sources. See, for example, the Annales Gandenses, p. 29; the Chronique de Flandre, I:477; and Gilles le Muisit, p.
A Mad, Wicked Folly by Sharon Biggs Waller